Jazz Science
Practice ideas from the woodshed
Sunday, January 9, 2022
Zombie Blog Update
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Greetings, dear reader. It's been some time since I've been updating things here, as I've been more focused on the oud and Ara...
Sunday, February 8, 2015
Key-oriented perspective
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It's very common in jazz education to encourage a chord-oriented perspective on improvisation. In many ways, this makes a lot of sense ...
1 comment:
Tuesday, March 27, 2012
"Bill Evans"-derived Rootless voicings for guitar, part 2
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Here are more rootless voicings for guitar, based on the "Bill Evans" left-hand style voicings. These are mostly drop-2 chords, ...
2 comments:
Sunday, March 25, 2012
Added-Note Triad Applications
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The uses of triads for an improviser are nearly limitless. As I hinted at in my previous post on digital patterns , adding a note to a tria...
"Bill Evans"-Style Rootless close voicings for guitar — II V I
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Here is a set of rootless voicings for guitar that I adapted from the stock "Bill Evans" style left-hand voicings. I show them in...
5 comments:
Wednesday, March 21, 2012
Digital Patterns
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Okay, I haven't posted in a year. Here's a little worksheet of common patterns that are often used by modern improvisers. John Col...
Friday, December 17, 2010
Ear Conditioning
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Here's an (IMHO) excellent exercise that trains your ears and works on connecting your hearing and improvising. I forget where I got th...
2 comments:
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